Drawing from psychoacoustic phenomena and their connection to just intonation, Aron’s compositions use precise tone selection to elicit additional tones in the listener’s perception, gradually unveiling hidden layers of sound. Like light rays meeting the water’s surface—partially reflecting into the air and refracting at once, as they pass into a new medium—these ghost tones settle into consciousness, capturing an arresting attention. Devoid of ornamentation yet imbued with poetic grace, his pieces challenge subject-object boundaries, acting as powerful catalysts for states of mind that transcend the mundane.
Aron holds a Master’s in Electroacoustic Composition from the Royal College of Music in Stockholm and graduated from the Musikakademie Basel, where he was mentored by Fred Frith. His work has been presented at venues and festivals, including Berghain, KW Institute for Contemporary Art, silent green, Harpa, Primavera Sound, Robot Festival, Dancity Festival, LUFF, Les Urbaines, DAAD and the Royal College of Music. In addition to his solo work, he is a member of the quartet Minua and the dream-gaze band Roomer, and has collaborated with artists such as Skúli Sverrisson, Jim Black, Ludwig Wandinger, ronja, Courtesy, Amina Hocine, Vilhelm Bromander, and Mattias Hållsten.